Friday, June 28, 2013
With a Bang!
Sunday, July 8, 2012
by Steve Anthony
"I'm inexpungible," he told me.
I knew then that he'd survive,
for he knew the very special gift
of simply being alive.
He had wisdom well beyond his years -
not so rare for him,
for he'd often been in waters deep -
that's how he learned to swim.
He knew that others are important,
not what they have or haven't got,
and every life is precious,
and never can be bought.
He knew of things that lay before him,
and of things best left in past -
that each man must make his future -
sometimes thrust upon him fast.
Yet for all he knew I worried,
when he made his choice that day;
not that he would not succeed -
but of his pain along the way.
For I knew the path he'd chosen
would be rocky and uphill,
yet once the pinnacle was reached -
he'd remain; steadfast and wiser still.
Then with a smile to reassure me,
once again I heard him say,
"I'm inexpungible, my friend,
I'll be back, day after day."
Friday, March 16, 2012
No Darkness in the Shadows
Burton is either very clever and has used all of his tired and lame gags (normally needed in a film for comic relief after prolonged supsense) in the trailer in order to keep the film’s true gothic nature a surprise; or he’s sold his soul to the devil for the love of money, attempting to draw money from the "Dumb and Dumber" crowd into the Hollywood coffins - er - coffers.
The first 30 seconds of the trailer is actually quite good, with Johnny Depp, a.k.a, Barnabas Collins, reading from his journal about being cursed by the witch Angelique Bouchard.
CUT TO:
Ships on a foggy sea, or already in port at Collinsport, Maine. They have arrived from England with Joshua Collins, wife, and son Barnabas on board.
Alas, after the film's logo fades out we are introduced to a jazzed up, wanna be funny, twisted Burton abstract of what once was an entertaining and alluring story of a family followed by one seemingly supernatural tragedy after another.
Fans of the original "Dark Shadows" know that Barnabas Collins was a clever and tortured soul cursed by the witch Angelique to roam the night as a vampire for all eternity as revenge for his spurning of her love. It was not she who chained him in his coffin for nearly 200 years, but his father, Joshua Collins, because he couldn’t bring himself to kill his son with silver bullets. This running theme of Collinwood characters caring for each other, no matter what curse befell them, is part of what made the show so likeable.
Fans know that Barnabas Collins would never rip the back off a television set while screaming for a “tiny songstress” to come forth from her witchery, but would have asked someone how the image was made in the box. There were after all, paintings in the 1700s, and Barnabas was an educated man, so he wouldn’t be all that surprised to see a clearer image – possibly moving – in a box. Even if he did believe it to be an apparition of some kind, he would have suspected Angelique and confronted her, or even a ghost. He would never have gone into a slapstick routine that has been overplayed in too many films by traveler’s from the past struggling to get accustomed to a future time.
Fans also know that Angelique’s power came straight from the devil himself. She wasn’t a Disney witch, who needed to drop feathers into a bubbling cauldron to turn Barnabas into a creature of the night. She could do it with a mere incantation, an evil look, and just a hint of hell fire in her sparkling and beautiful eyes.
Parodies work for certain films, “The Brady Bunch” and “The Addams Family” for example, but those shows were already comedies on television. A parody of a show that was never played for comedy and whose fans are as loyal as "Star Trek” fans - following Dark Shadows Conventions and mingling with its former actors some forty years later - is somehow sacrilegious. The fun of the original soap wasn’t slapstick, low IQ gags, and one liners, but its over-the-top melodrama, forgotten lines, crew walking in front of a camera, and the actors who trooped onward when it happened on live TV. There were also cliffhangers at the end of each episode that made us want to tune in the next day to see what would happen next.
Burton's “Dark Shadows” appears at first glance to be just another Hollywood "re-imagining" with ridiculous looking cartoon characterizations and worn out gags that just aren't funny anymore. Depp looks like a "Twilight" vampire in goth wardrobe, which is a modern day Hollywood image. Let's not forget the over- played-to-ad-nauseam hissing of modern movie vampires rising on heels, arms outstretched from their coffins - as if magically by CGI. This doesn't seem like "Dark Shadows" and shouldn’t have been called that. It's more like "Hocus Pocus Meets Edward Scissorhands and the Three Stooges." It’s surprising Burton didn’t think to have Bette Midler play Angelique as Winifred Sanderson's twin sister. She would fit right in.
After years of anticipation, it appears “Dark Shadows” fans will not get to see their beloved characters roaming the dark shadows of Collinwood Manor on the big screen after all. It appears they won't be jumping in their seats when something unexpected lurks in the shadows, because there isn't anything in the shadows but frighteningly bad and overused one-liners.
I hope I’m wrong for the sake of "Dark Shadows" fans everywhere. I hope Burton is just playing a very clever hand and there are some real ghosts and things that go bump in the night in the darkness and shadows of this Collinwood.
Sunday, October 2, 2011
The Truth About Breakfast Platters, Christy, and Kids on the Lawn
"I had a platter," I said nicely.
"Oh, you were the platter. Please pull up and we'll bring it right out to you."
I pulled up and waited. And waited. And waited. After 10 minutes and watching 4 other customers behind me leave with their breakfasts, I called McDonalds on my cell phone. (I must be getting old, because I am the easiest person to get along with and I never used to do things like this. I know what comes next. It's yelling at kids to get off your lawn even though you let them play there for years.)
"McDonalds, this is Christy," she drawled in a raspy, southern, I-smoke-10-packs-a-day voice.
"I'm ...still...waiting on my...breakfast platter," I said firmly, channeling William Shatner.
"I'm bringing it right out to you (rasp rasp)."
"You've served 4 other people that were behind me."
"We were waiting on your eggs (hack hack)."
At this point I figured NOBODY else that ordered after me had eggs with their breakfast, because if they had, they would have been on MY platter first. After all, people don't expect eggs for breakfast at McDonalds and I must have been the first to order them even though it was mid-morning.
Christy was trained in dealing with somewhat irate customers.
"Here you go, sweetheart. Have a nice day."
"Thank you," I said, pulling the tied plastic bag through the window and setting it on the seat beside me.
Arriving home I untied the top of the bag and opened the platter lid to find a robin's egg sized blob of yellow scramble next to some hot cakes, sausage, and a biscuit. One wonders if they didn't have the heat up high enough to cook the poor thing faster...
Wednesday, March 23, 2011
Warm Summer Days
Then, about 3 weeks ago as I was listening to the melody, the lyrics below started coming into my head. I've spent the last 3 weeks editing the melody to add a couple of bridges to handle the lyrics. The melody is in the video below.
Warm Summer Days
Music ©2008 Steve Anthony
Lyrics ©2011 Steve Anthony
[V1]
The sun comes up: the rain is gone.
Warm summer days; each other’s arms.
Our hearts beat out a symphony,
and our trembling souls,
get lost in you and me.
You whisper in my ear.
Your words are all I hear.
[Refrain]
Warm summer days that we spent by the shore;
warm summer days that made us want more;
warm sandy beaches beneath the sun’s gaze;
your love reminds me of warm summer days.
[V2]
Soft clouds roll by; high in the sky.
Warm summer days; just you and I.
A breeze blows gently through your hair,
and your sparkling eyes,
can lead me anywhere.
You take me by the hand.
We lay upon the sand.
[Refrain]
[Tag]
Warm summer days; each other’s arms.
Warm sandy beach; you and your charms.
Warm summer days beneath the sun's gaze,
your love reminds me of warm summer days.
Tuesday, February 1, 2011
Karma At The Movies
Steve Anthony Presents Ebert Presents at the Movies
[Fridays; PBS. Check local listings.] A Review of a Television Review
It’s true; we can never go home again. But Steve Anthony manages to take us back in time to those days where there were only 3 channels to choose from and no one had heard of TIVO® or even a VCR! He presents a time when people actually went out to see movies regularly. Before pricing, television alternatives (Netflix® comes to mind) and busy lifestyles got in the way of a grand night out. At the movies.
I found his review of “Ebert Presents at the Movies” insightful, accurate, and complete. It certainly has this reviewer’s reviewer setting his DVR to make sure I don’t miss a minute! While there were some technical errors in grammatical structure with Steve’s review, and some word choice that seemed inappropriate for the intended audience (I don’t think the average person would use a word like “apropos” for example), his review took me across the years and back in time. Many people can remember and relate to “Sneak Previews”, and the path that Ebert and Siskel pioneered. I personally remembered how sad I was to learn of Gene Siskel’s passing.
Steve’s review is a discovery process. Complete in historical fact, engaging dialog, and intriguing comparisons. The new hosts seem very intelligent and informative, and I’m looking forward to continuing my movie discovery process with their reviews in the forefront of my mind. I enjoyed Steve’s review extremely, and would highly recommend any further reviews he chooses to publish as “required reading”. Steve did his homework well, and produced a review that was compelling, and will not soon be forgotten. Thank you, Steve. I cherish those memories. And look forward to evening adventures! At the movies.
Steve’s review earns 5 out of 5 Stars! ☼☼☼☼☼
Sunday, January 23, 2011
Ebert Presents at the Movies [Fridays; PBS. Check local listings.]
It’s true we can never go home again: Home changes, the landscape around it is altered by the sands of time, and most importantly, the people that made it home - including ourselves - morph and mature, move away, or pass on. Every-now-and-then however, we can recapture the flavor of home and provide the mind with enough familiarity and memories to make it content. Such is the case with PBS’ “Ebert Presents at the Movies” that premiered January 21, 2011. It is only fitting that "At The Movies" returns home to PBS where it all started, and continues to provide us with not only an entertaining look at today’s movies, but opinions about them that are well rounded and informative.
For those familiar with the original, “Sneak Previews” that began in 1976 with Roger Ebert and Gene Siskel, and later became “Siskel and Ebert at the Movies,” it seems like old times as the new show opens with bright lights and music, combined with warmly reminiscent pictures of Roger and Gene in the balcony; cleverly snapped from an animated reel of film. When the end credits roll, a brief clip of them from 1975’s “Opening Soon at a Theater near You” which was locally aired in the Chicago area, leaves us wanting more and seems apropos as it wraps up a show presented by new and youthful hosts, Christy Lemire and Inatiy Vishnevetsky.
For variety, the show even ventures outside the balcony to hear from correspondents and a film technical expert. Even the master himself, Roger Ebert, makes a brief Hitchcockian appearance in his own show; content to leave the new hosts to their work as he introduces them and others involved with the new program.
Lemire and Vishnevetsky are apt hosts and fit nicely in the balcony setting as they, like their predecessors, narrate clips on the big screen before them, then discuss each film good-naturedly but not always agreeably. One might not take to such youthful hosts speaking to what is most likely a largely mature audience; however there is no mistaking their professionalism and ability to communicate the good and bad points about each film, and do so pleasantly.
Make no mistake; this is not some re-imagining, remake, sequel, or even a prequel that didn’t need to be made. “Ebert Presents at the Movies” is familiar yet fresh and it serves a purpose, particularly in today's economy where movie goers need the ability to spend their entertainment dollars wisely. There have been many movie review programs on television, including several incarnations with Ebert, but this program is a direct descendant of the real McCoy and rightly deserves to wear its name.
There are literally hundreds of channels and thousands of programs on television but few make us really not want to miss them each week. Television and movie fans ultimately make their own choices on what to watch on TV or what movies to see at the theater, but “Ebert Presents at the Movies” is well worth watching or at least a reminder on the cable box or DVR, and a weekly trip home to PBS before turning off the TV to go out to the movies.